![]() Shooting in this format delivers uncompressed video, which provides unrivaled flexibility in post-processing that’s currently unmatched amongst compact ILCs. And the camera shoots 12-bit 4K 30p at 2980 Mbps and 1080p 100p at 2530 Mbps. It features built-in Time Code, and you can adjust the relevant settings via the menus.īut easily, the main highlight in this regard is that the FP now becomes the first compact interchangeable lens camera (ILC) to support 12-bit RAW recording. The camera also offers Waveforms to gauge the brightness level of a given location.įirmware version 2.0 brings along HDR movie support, which combines two frames of different exposures into a single video with a greater dynamic range. It has zebras for highlight clipping indication, which you can adjust to showcase highlights or exposure levels. You can also capture stills during video recordings, recorded as JPEG Fine but vary based on the resolution configured. And the camera records the movie based on the settings configured in the Recording Settings. You can start movie recordings even when in the STILL mode. Note: the lowest ISO for CINE is ISO 100, so you will still need ND filters if you want to shoot wide-open outdoors. Even when not using the CinemaDNG RAW format, the standard 8-bit 4K 30p footage has enormous detail and plenty of latitude in dynamic range. And the video quality it makes is excellent and arguably class-leading at this price point. The camera itself produces 4K by downsampling from a 6K readout, creating an uncropped video. The main highlight feature, however, is the debut of 12-bit 4K UHD 30p CinemaDNG RAW recording, available internally or externally via HDMI-more on this below. Or standard Long GOP compression, which shoots at 120 Mbps, prioritizing file size and maximizes recording time. The camera also offers the higher-end All-I (Intra) compression, which shoots at 440 Mbps, to maintain image quality and prioritizes post-processing flexibility. It shoots 4K UHD 30p and 1080p Full HD video up to 120p to the MOV format via the H.264 codec with 4:2:2 8-bit color. And the buffer depth is modest at 14 RAW or 18 JPEG before slowing. And it also enables the camera to offer continuous shooting speeds of 18 FPS, silently, without a blackout. Instead, they’ve gone forth with a full-time electronic shutter, simplifying the camera’s design, removing shutter shock, and improving long-term reliability. Interestingly, Sigma’s opted to remove the traditional mechanical shutter. Sigma’s also expanded the adjustment range to ±5.0 EV stops. And it gives users more control to produce well balanced high dynamic range images. This particular option uses fill light to adjust an image’s brightness by lightening the shadows without increasing the highlights’ exposure. It obtains the Fill Light option, a feature typically reserved for their Photo Pro development software. “Full-frame, pocket-friendly, but quite RAW.” In today’s post, we address its strengths and weaknesses and answer whether it is the ultimate run & gun cinema camera. And it comes to market to compete with Panasonic’s S1, Sony’s A7 III, Black Magic’s Pocket 4K, Nikon’s Z6, and Canon’s EOS R. So despite the otherwise compact body, this camera provides enough performance to meet the needs of serious productions. On paper, it marks the first interchangeable lens camera that offers 12-bit CinemaDNG RAW recording, a full-time electronic shutter, and much more. Yet, one that aims to be a highly customizable platform perfect to suit a broad demographic of users. And weighing under a single pound, it holds steadfast as the smallest and lightest pocketable full-frame camera released thus far. The FP is Sigma’s first full-frame cinema camera. Initially released in the fall of 2019, Sigma’s FP (Fortissimo Pianissimo) brings high-level functionality into the world’s most compact body.
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